seeking out the unspoiled nature

Detail from Lake Bohinj in Slowenia

Detail from Lake Bohinj in Slowenia © PoppHackner.com

Photographer couple Verena Popp-Hackner and Georg Popp, based in Vienna, Austria, Europe, are loving to be »out there« in the unspoiled wilderness avoiding to place their cameras where others have already left their tripod holes. They hope that through the language of their images, they »can translate a sensibility for the beauty of the natural landscape« as they feel it. While having studied their galleries within their homepage I found a lot of photographs speeking to me in a strong manner. So I am very sad not to be able to see their photographs that will be displayed in Lünen, Germany – a town nearby my home – in Oct. 2011 during the International Nature Photography Festival of the GDT.

Verena and George invest a lot of work and waiting, are very picky with their capturing a scene and editing, and they use large format cameras and film for the best quality to deliver in fine art printing. What I like about this couple beyond that is that they do their landscape photography with having children (current in the primary school age). With our children beeing slightly older than theirs I can imagine what challenge this is. They are planning a tour to California in July 2011 focusing on some mountain/forest regions and the coast too. I am curious to see the photographs they will bring back.

Elliott Erwitt quotes »Photography is like fishing«

Elliott Erwitt within an interview in Oberhausen

Elliott Erwitt within an interview in Oberhausen, Gemany, answering questions of the guest.

Magnum photographer Elliott Erwitt was here in the Ruhr Area I live in. He was invited because of his exibition “I am serious about not being serious” in the Ludwig Gallery in the Palace Oberhausen. Till September 11th, 2011 they show photographs he created for his »personal pleasure« in a time span of 60 years. The exibition I warmly recomment to visit. There are a lot of aesthetic and humorous photographs to enjoy. Most of them are candid with only a very few that are posed. Some of Erwitt´s photographs are shown here.

The interview with Elliott Erwitt and his book signing was more than a little bit overcrowded. I was very lucky to get some moments and small spots between all those heads and shoulders for taking photographs for myself.

Elliott Erwitt is surrounded by a lot of guests during his book singning in Ludwig Gallery Schloss Oberhausen 2011-06-09.

A little it bit felt like that there are fans wanting to reach a celebrity. Photographers did crowd the scene flashing all the time with cameras in burst modus. Unlike the meeting with Robert Lebeck there was no opportunity to meet Elliott Erwitt and to have a small conversation.

Here I record some of his answers within the interview:

Q: »Would you be a photographer if you could start your life from new?« – Elliott Erwitt: »I would photograph the same sujects in the same manner I did. My photography has not changed when doing it for my own over 60 years. Only the photographs I created for clients did change because of the changing needs of my customers.«

Q: »When evolving as a photographer, at which point in time did you state yourself to be a good photographer?« – Elliott Erwitt: »It is up to you to judge my state.«

Q: »Why all those dogs?« – Elliott Erwitt: »They live all over the world. They are friendly. I like them. They don´t ask for prints.«

Q: »Do you create a lot of photographs to do the great ones?« – Elliott Erwitt: »Photography is like fishing. Sometimes you are fishing and don´t get one fish. Sometimes you think you catched a fish but you haven´t. Sometimes you catch a small one, sometimes you catch a bigger one. Mostly it´s crap.«

Elliott Erwitt surroundet by his fans

Elliott Erwitt surroundet by his fans during the book signing at Ludwid Gallery Palace Oberhausen 2011-06-09

Elliott Erwitt signing his books

Elliott Erwitt signing his books at Ludwig Gallery Palace Oberhausen 2011-06-09.

microstock offers the potential of having a career

photography © Nicole S. Young

Nicole S. Young wrote down her experiences with Microstock Photography. Her e-book (micro)STOCK: FROM PASSION TO PAYCHECK was released at Tuesday, June 7th, 2011 in the series of CRAFT&VISON.

Nicole´s conclusion is: microstock is ”available to virtually everyone and it offers the potential of having a career with limitless creative freedom and a really great lifestyle.“ Nicole also tells her readers that “like many things in life it’s definitely not easy” to exploit the potential of Microstock Photography. So I choosed this photograph above to highlight my opinion: Nicole´s deliberations appear as reliable as far as I have experienced the world till now.

Starting from trying out and hoping for some dollars Nicole did the whole way to a fulltime career. From her “start to finish it was a solid 2.5–3 years of growing” her microstock business before she was on her “own, single, and paying” her “way through life with photography“. She had a lot learning experiences with photography and microstock before she made the decision to become a professional photographer with the microstock being her “bread and butter”. So her story and the three stories (case studies) from other photographers inserted in the e-book tell us that they started diminutive, made the transition slowly and found their specific road to pecuniary success photographing what they love.

There is a »but« too: You must serve the needs of your unknown customers – Nicole will tell you her insights. A good microstock agency will treat you with inspections and image requirements – Nicole will tell you those in brief. You will have to do a lot work on your own and have to learn from your faults: learning by doing! Nicole´s e-book (micro)STOCK: FROM PASSION TO PAYCHECK will help you to avoid some faults and will help to start with a clear sight of what you are heading.

The PDF version of (micro)STOCK usually is offered for 5$. You can use the promotional code MICRO4 when you checkout to save one dollar OR use the code MICRO20 to get 20% off when you buy 5 or more PDF ebooks from the Craft & Vision collection. These codes expire at 11:59pm PST June 11, 2011.

strange profane rites in a german marketplace

The weekend from May, 14th to 15th 2011 was blocked in many calendars months before, so in mine. Since the fall 2010 the Dortmund football club BVB 09 was the top team of the German premier league (Fussball-Bundesliga) and was never topped since then. 320,000 wanted to attend the last match, the stadium only has a capacity of a little more than 80,000. Some 12,000 could attend a public viewing in the Westfalenhalle nearby the Stadium.

Before the match began thousands came back from trying to get a spot in the public viewing – no chance at all. They crowded the streets in our urban quarter and entered the bars and restaurants as far as they could. There were a lot of fans without a chance to attend. Warmhearted citizens took out their video-beamer onto the street to let the traveled fans have a look at the last match and the ceremony of the handover of the championship shield.

After the match and the ceremony were finished the fans absorbed the regiment of the town: The City is our! They turned four lanes wide streets to an pedestrian area and continued their party that has started even before getting in the stadium and with pulling out the turf as a climax. A whole town in football fever.

In the evening the fans had a boisterous but peaceful party like two weeks before. Have a lock at the feautured image on top of the post. I took a little bit smaler risks this time while attending the party of these hoarser fellows and hard-core fans because I did not want some more beer showers and did not want to step through broken bottels. There were a lot of fans that displayed emergency signals / bengal fireworks within the masses but they did not want ot hurt somebody and they didn´t hurt anyone. These fans celebrated connectedness in a way that is not mine but I was left in peace by these fans not beeing dressed like them and not singing their songs but constantly smiling and showing them my respect.

Thousands were raving and chanting and I could hardly get through the crowd. So I created photographs with my strung-out arm assisted by the other one firing roughly into the direction I wanted to cover the scene.

BVB Fans celebrate boisterous party

BVB fans had a boisterous party

BVB fans had a boisterous party @ Jens Stachowitz

The football* club BVB 09 in my hometown Dortmund gained the title in German premier league 2011 (*Americans say: soccer). There still are two matchdays left but the persecutors have no chance at all to outrun BVB. Fans celebrated a spontaneous party all over the city. The party at the ancient market was very boisterous and peaceful the same time. I took several beer showers and risked my gear being damaged but the photographs I could archive were worth the adventure. Hope you will enjoy the sights and feel a little bit of the enormous excitement.

bridges of understanding

Men are pausing on the pendant bridge "Gimberger Sichel" (Grimberg Sikle)

Pausing at Grimberg Sikle @ Jens Stachowitz

“The cities in the Ruhr Metropolis are working together” is the key issue of the polis magazine edition 1 / 2011 with the title “The Awakening Hercules”. Michael von der Mühlen, city manager of Gelsenkirchen, has written an article about the culture of collaboration between the major of the 53 cities within the Ruhr Area. He used my photograph from the “Grimberger Sichel” (Grimberg Sickle) to express the main idea of his article: Since more then 20 years city planners and politicians are working on building interurban bridges of understanding and are trying to work together to build up the the Ruhr Metropolis. Nowadays those efforts come to fruition.

tearsheet from polis magazine 01 / 2011

The brigde is located near the Grimberg Harbor in Gelsenkirchen. It was designed by the engineering office Schlaich Bergermann and Partner from Stuttgart and was built by the Regional Association Ruhr (RVR). It was awarded the “European Steel Bridges Award 2010”. The bridge connects the recreation areas north and south of the Rhine-Herne Canal and connects the cycle path along the acient ore-railway-line with the cycle path within the Emscher Park. I awaited this moment with the men pausing on the bridge in the evening sun for about 2 hours. They did notice me photographing but did not bother about me. So I could capture a moment of friendlyness, informality and understanding with no posing towards me.

A Meeting with Robert Lebeck

Der weltbekannte deutsche Fotograf Robert Lebeck eröffnete am 18.03.2011 seine Ausstellung in der Lumas-Galerie in Düsseldorf. Hier steht er vor seinem Portrait von Joseph Beuys. Sein Blick sucht die Menschen im Raum. / The world-renowned german photographer Robert Lebeck openend his exibition in the Lumas Gallery in Düsseldorf on 2011-03-18. Here he stands in front of his portrait of Joseph Beuys. Lebecks view seeks the other people in the room. (Jens Stachowitz)

The world-renowned german photographer Robert Lebeck openend his exibition in the Lumas Gallery in Düsseldorf on 2011-03-18. I had the opportunity to join this event and was very pleased by the behaving of this man. Although he was the center of the evening he was withdrawn and unassuming. He was also very friendly and humorous. When I had the chance to have a conversation with Lebeck I shaped the hypothesis that his behaving would have helped to get access to people when performing his profession as a photo journalist. He told me that he had never thought about when he was doing the job but could agree with the consideration.

Lebecks photographs show that once he had creeped up on somebody on velvet praws he was able to catch the moment with his argus-eyes. See the website of Robert Lebeck for some examples or a brief study. I looked at the evening not only as a visit but as a training in photo jorunalism too. So I took a lot of frames of Lebeck acting on this stage and trying to show his friendlyness and humor. There were three or four more photographers who besieged him the whole evening and there were a lot of guests with their point-an-shoot-cameras too but Lebeck was not disturbed in his serenity. I am very thankful for this.

Der weltbekannte deutsche Fotograf Robert Lebeck eröffnete am 18.03.2011 seine Ausstellung in der Lumas-Galerie in Düsseldorf. Hier steht er inmitten seines Auditoriums bei einem Interview.. / .The world-renowned german photographer Robert Lebeck openend his exibition in the Lumas Gallery in Düsseldorf on 2011-03-18. Here he stands amidst his audience while interviewed. (Jens Stachowitz)

Der weltbekannte deutsche Fotograf Robert Lebeck eröffnete am 18.03.2011 seine Ausstellung in der Lumas-Galerie in Düsseldorf. Hier steht er inmitten seines Auditoriums bei einem Interview.. / .The world-renowned german photographer Robert Lebeck openend his exibition in the Lumas Gallery in Düsseldorf on 2011-03-18. Here he stands amidst his audience while interviewed.

Der weltbekannte deutsche Fotograf Robert Lebeck eröffnete am 18.03.2011 seine Ausstellung in der Lumas-Galerie in Düsseldorf. Hier steht er lachend inmitten seines Auditoriums bei einem Interview... / The world-renowned german photographer Robert Lebeck openend his exibition in the Lumas Gallery in Düsseldorf on 2011-03-18. Here he stands laughing amidst his audience while interviewed. (Jens Stachowitz)

Der weltbekannte deutsche Fotograf Robert Lebeck eröffnete am 18.03.2011 seine Ausstellung in der Lumas-Galerie in Düsseldorf. Hier steht er lachend inmitten seines Auditoriums bei einem Interview… / The world-renowned german photographer Robert Lebeck openend his exibition in the Lumas Gallery in Düsseldorf on 2011-03-18. Here he stands laughing amidst his audience while interviewed.

Der weltbekannte deutsche Fotograf Robert Lebeck eröffnete am 18.03.2011 seine Ausstellung in der Lumas-Galerie in Düsseldorf. Ein Gast (Andreas Ehrhard) überreicht ihm den Bildband Photography Unplugged von Harald Mante als Geschenk für seinen drei Tage später bevorstehenden Geburtstag.. / .The world-renowned german photographer Robert Lebeck openend his exibition in the Lumas Gallery in Düsseldorf on 2011-03-18. A guest  (Andreas Ehrhard) consigns Lebeck the photobook Photography Unplugged by Harald Mante in anticipation of Lebecks birthday three days later. (Jens Stachowitz)

Der weltbekannte deutsche Fotograf Robert Lebeck eröffnete am 18.03.2011 seine Ausstellung in der Lumas-Galerie in Düsseldorf. Ein Gast (Andreas Ehrhard) überreicht ihm den Bildband Photography Unplugged von Harald Mante als Geschenk für seinen drei Tage später bevorstehenden Geburtstag.. / .The world-renowned german photographer Robert Lebeck openend his exibition in the Lumas Gallery in Düsseldorf on 2011-03-18. A guest (Andreas Ehrhard) consigns Lebeck the photobook Photography Unplugged by Harald Mante in anticipation of Lebecks birthday three days later.

Der weltbekannte deutsche Fotograf Robert Lebeck eröffnete am 18.03.2011 seine Ausstellung in der Lumas-Galerie in Düsseldorf. Das Foto zeigt ihn als Silhouette reflektiert in seinem eigenen Bild und die ihn umgebenden Menschen beim Signieren seiner Bilder und Bücher.  / The world-renowned german photographer Robert Lebeck openend his exibition in the Lumas Gallery in Düsseldorf on 2011-03-18. This Photograph does show Lebeck as a Silhouette reflected in his own picture and the people surrounding him when signing his books and photographs. (Jens Stachowitz)

Der weltbekannte deutsche Fotograf Robert Lebeck eröffnete am 18.03.2011 seine Ausstellung in der Lumas-Galerie in Düsseldorf. Das Foto zeigt ihn als Silhouette reflektiert in seinem eigenen Bild und die ihn umgebenden Menschen beim Signieren seiner Bilder und Bücher. / The world-renowned german photographer Robert Lebeck openend his exibition in the Lumas Gallery in Düsseldorf on 2011-03-18. This Photograph does show Lebeck as a Silhouette reflected in his own picture and the people surrounding him when signing his books and photographs.

Get relaxed in the Valle Vercasca

Flowing waters in the Vercasca Valley | vercasca = green | @ Jens Stachowitz

On may way down to Ligury to fellow the Italy-Within-The-Frame-Workshop in April 2010 teached by David duChemin and Jeffrey Chapman I intermitted my journey towards Ligury and backwards home to stay a day and a night in the Valle Vercasca (Green Valley) in the Canton of Ticino in the Swiss Alps. I wanted to slow down and wanted to revisit this wild and emeraldgreen river I had seen lots of years before. This time I wanted to create photographs that show my love to this part of nature and I wanted to show the juxtaposition of flowing water and the resting stone and their harmony they build together.

The best photographs I used to create an electronic greeting-card that I send to my family, friends, colleagues, fellowers and customers in January 2011. If you like you can watch the flash-slideshow here (German version). If you do like to catch the meaning of the lyric that my wife has created you could have look at the html-version with english subtitles in the caption-field below the photographs.

Happy New Year 2011

fireworks in the rear of the silhouette of the ancient steelwork Phoenix-West | Dortmund @ Jens Stachowitz

All of my readers of this blog I wish a Happy New Year 2011!

My passed passed year 2010 was full of work, learning and pleasure. Till now I had hardly any time to reflect my expieriences and to list the lessons learned. I will do that later on because I wish to translate it into empirical knowledge.

to be reflective leads to a never ending process

Cover of The Vision Driven Photographer - eBook by David DuChemin

This post is inspired by the eBook The Vision-Driven Photographer by David duChemin. This post is also inspired by a documentation about the monk Martin Luther and his influence on the Germans that was broadcasted in the german televison two years ago. What is the correlation of both? – I will give it a try to formulate what holds David and Martin together in my mind.

Martin Luther could not be quiet to circumstances the clerus was responsible for. He was fought and he put his life on the line to tell the world that in the relationship between God and one single person no institution ever should or could play a role. Luther wanted the mind to be free. He wanted people to be good informed and to judge autonomic. This dates back for nearly 500 years now and we still are struggling to build, sustain und evolve democracy.

Now, what to do when you – thanks to Luther and a lot of others – are free from constraint? What to do when you are and feel responsible and you do not like to be a part of an unaccountable mass? What to do when you are an individuum willing to be a emancipated person and a part of a human collective? You should perceive, sence, think about, digg deeper, …, judge, plan, act and be reflective.

David duChemin is a photographer and a teacher for photographers and he reminds us in his books to intentionally create photographs that are expressing in the clearest way what we want to say. This expression – and this is my thought – is a necessity when we want to be an emancipated person and want to shape our life and our society. David duChemin reminds us that writers, painters, musicians … express their feelings and thoughts with other languages and other tools but the process is the same. Like photographers – and let me add – all other emancipated persons – they have to figure out how they percieve the world they live in, they have to figure out what they want to tell the other individuums they want to reach and have to figure out how to successfully communicate.

David duChemins topic is personal and photographic vision: “We all have vision, the question is: are we aware of it? Personal Vision is how we see life whether or not our eyes are open. It grows, it changes, it flip flops depending on where life takes us and that makes it the challenge it is. You think you understand it, catch more than a fleeting glimpse, and maybe you do for a while, but one day you wake up and it’s changed for some reason and you have to rediscover it all over again” (p3). “It’s an endless journey” (p23, David duChemin: The Vision-Driven Photographer).

If you do want to create rich in content photographs, poems, songs … I think it´s worth to have a look into the eBook The Vision-Driven Photographer.

If you use the promotional code DRIVEN4 when you checkout, you can have the PDF version of The Vision Driven Photographer for only $4 OR use the code DRIVEN20 to get 20% off when you buy 5 or more PDF ebooks from the Craft & Vision collection. These codes expire at 11:59pm PST November 28th, 2010.