LUMAS opens gallery in Dortmund

View into the LUMAS Gallery

View into the LUMAS Gallery in Dortmund with photographs from Horst and Daniel Zielske

The opening of the LUMAS Gallery in Dortmund on 10.11.2012 was the start of the exibition of the New York photographs of Horst and Daniel Zielske lasting until 25.11.2012. The showroom is part of the INHOUSE, a store for high quality furnishing and accessories.

The New York photographs are very interesting for me because of the light and the subject. They seem a little bit surreal. The Brooklin Bridge is my favorite followed closely by the East River III. It is a pleasure to see the photographs in big format instead of merely in an online-presentation.

The LUMAS Gallery showroom is well illuminated and is giving space to the photographs to appear. I could also see one of my favorites of Pep Ventosa an impressionistic photograph of the tree on the Carrer de Tantarantana, Barcelona.

View into the INHOUSE Lobby

View into the INHOUSE Lobby in Dortmund at nighttime.

seeking for beauty in nature

People looking on an impressionist Nature-Photography

Photo-Exibition at International Nature Photography Festival of the GDT 2012

The International Nature Photography Festival of the GDT 2012 in Luenen, Germany was a pleasure. More there isn´t to say. There were lots of very good photographs in the exibition of the winners of the national contest and the international contest and in the lecture programme. There were a lot of very pleasant people in the audience and first and foremost in the team of the GDT (Society of German Nature Photographers) and the lecturers. What unites them all is their love of nature and photography, some of them beeing professional photographers and text-authors.

What fails is our apprehension

A couple looking at a photograph created by Joel Sternfeld © jens-stachowitz-photography

»What fails is our apprehension of our incredible amasing and beautiful world.« is the statement of Joel Sternfeld that resonates most within me. First of all I have to say that I am trying to understand which message Joel Sternfeld wants to tell the readers of his photographs, books and the listeners of his lectures. I am not quite shure that I have got »it«. What makes me unsecure is a photograph I did not like at a first sight and that I did not read careful enough. The icing on the cake is as small as a stamp in this large-format photograph: A baby that suckles at the breast of his mother who is sitting on a couch that was taken out of a moving van in front of a new building somewhere at the city limits close to the woods. Someone else pointed to this culmination of this photographic short story I did not apprehend. So I have to say that it may be true that I am a very well trained to read situations and relationships what is essential to do my work as a facilitator, but I have to educate my perception of pictures and photographs.

What I have percieved in the current exhibition of Sternfeld´s work in the Museum Folkwang and whithin a lecture he held on July, 16th 2011 and a short conversation is that Joel Sternfeld is a »concerned photographer« – the Süddeutsche Zeitung called him to be one –. What is he concerned about? Money? Fame? – No, not at all!

It appears to me that Joel Sternfeld is a very self-efficiating contemporary, a humorous and amicable storyteller. He is concerned about doing great work, getting on a higer level of perception, telling something well-founded about our world and our society wanting to improve it, saving our incredible amasing and beautiful world from unpleasant acts mankind could and does do. He tells us »what we do with the surface of the earth tells us who we are« in this video, but he is not at all a itinerant preacher. He is not at the frontline either like a war photographer risking his live in order to shock and push us. Sternfeld is looking for subtle undertones that touch our souls and Sternfeld is creating photographs we want to look at more than one time, those that do not disgust but pull us in.

Joel Sternfeld is concerned about relationships of humans to each other, humans to nature and colors to each other. His eyes light up when speaking about color shades in his photographs. Yes, he is concerned not only about the story in the photograph and the story behind the photograph but also about the composition and the color. Some of Joel Sternfeld´s photographs are shown online by Luhring Augustine.

Museum Folkwang exibits different series of photographs Sternfeld created starting from 1970 till nowadays. Very much I do recomend to visit the exhibition in Essen, Germany till Oct., 23rd 2011, then touring to Amsterdam, Berlin and Vienna.

And: look carefully. – Thank you, Joel for your teaching!

seeking out the unspoiled nature

Detail from Lake Bohinj in Slowenia

Detail from Lake Bohinj in Slowenia © PoppHackner.com

Photographer couple Verena Popp-Hackner and Georg Popp, based in Vienna, Austria, Europe, are loving to be »out there« in the unspoiled wilderness avoiding to place their cameras where others have already left their tripod holes. They hope that through the language of their images, they »can translate a sensibility for the beauty of the natural landscape« as they feel it. While having studied their galleries within their homepage I found a lot of photographs speeking to me in a strong manner. So I am very sad not to be able to see their photographs that will be displayed in Lünen, Germany – a town nearby my home – in Oct. 2011 during the International Nature Photography Festival of the GDT.

Verena and George invest a lot of work and waiting, are very picky with their capturing a scene and editing, and they use large format cameras and film for the best quality to deliver in fine art printing. What I like about this couple beyond that is that they do their landscape photography with having children (current in the primary school age). With our children beeing slightly older than theirs I can imagine what challenge this is. They are planning a tour to California in July 2011 focusing on some mountain/forest regions and the coast too. I am curious to see the photographs they will bring back.

Elliott Erwitt quotes »Photography is like fishing«

Elliott Erwitt within an interview in Oberhausen

Elliott Erwitt within an interview in Oberhausen, Gemany, answering questions of the guest.

Magnum photographer Elliott Erwitt was here in the Ruhr Area I live in. He was invited because of his exibition “I am serious about not being serious” in the Ludwig Gallery in the Palace Oberhausen. Till September 11th, 2011 they show photographs he created for his »personal pleasure« in a time span of 60 years. The exibition I warmly recomment to visit. There are a lot of aesthetic and humorous photographs to enjoy. Most of them are candid with only a very few that are posed. Some of Erwitt´s photographs are shown here.

The interview with Elliott Erwitt and his book signing was more than a little bit overcrowded. I was very lucky to get some moments and small spots between all those heads and shoulders for taking photographs for myself.

Elliott Erwitt is surrounded by a lot of guests during his book singning in Ludwig Gallery Schloss Oberhausen 2011-06-09.

A little it bit felt like that there are fans wanting to reach a celebrity. Photographers did crowd the scene flashing all the time with cameras in burst modus. Unlike the meeting with Robert Lebeck there was no opportunity to meet Elliott Erwitt and to have a small conversation.

Here I record some of his answers within the interview:

Q: »Would you be a photographer if you could start your life from new?« – Elliott Erwitt: »I would photograph the same sujects in the same manner I did. My photography has not changed when doing it for my own over 60 years. Only the photographs I created for clients did change because of the changing needs of my customers.«

Q: »When evolving as a photographer, at which point in time did you state yourself to be a good photographer?« – Elliott Erwitt: »It is up to you to judge my state.«

Q: »Why all those dogs?« – Elliott Erwitt: »They live all over the world. They are friendly. I like them. They don´t ask for prints.«

Q: »Do you create a lot of photographs to do the great ones?« – Elliott Erwitt: »Photography is like fishing. Sometimes you are fishing and don´t get one fish. Sometimes you think you catched a fish but you haven´t. Sometimes you catch a small one, sometimes you catch a bigger one. Mostly it´s crap.«

Elliott Erwitt surroundet by his fans

Elliott Erwitt surroundet by his fans during the book signing at Ludwid Gallery Palace Oberhausen 2011-06-09

Elliott Erwitt signing his books

Elliott Erwitt signing his books at Ludwig Gallery Palace Oberhausen 2011-06-09.

A Meeting with Robert Lebeck

Der weltbekannte deutsche Fotograf Robert Lebeck eröffnete am 18.03.2011 seine Ausstellung in der Lumas-Galerie in Düsseldorf. Hier steht er vor seinem Portrait von Joseph Beuys. Sein Blick sucht die Menschen im Raum. / The world-renowned german photographer Robert Lebeck openend his exibition in the Lumas Gallery in Düsseldorf on 2011-03-18. Here he stands in front of his portrait of Joseph Beuys. Lebecks view seeks the other people in the room. (Jens Stachowitz)

The world-renowned german photographer Robert Lebeck openend his exibition in the Lumas Gallery in Düsseldorf on 2011-03-18. I had the opportunity to join this event and was very pleased by the behaving of this man. Although he was the center of the evening he was withdrawn and unassuming. He was also very friendly and humorous. When I had the chance to have a conversation with Lebeck I shaped the hypothesis that his behaving would have helped to get access to people when performing his profession as a photo journalist. He told me that he had never thought about when he was doing the job but could agree with the consideration.

Lebecks photographs show that once he had creeped up on somebody on velvet praws he was able to catch the moment with his argus-eyes. See the website of Robert Lebeck for some examples or a brief study. I looked at the evening not only as a visit but as a training in photo jorunalism too. So I took a lot of frames of Lebeck acting on this stage and trying to show his friendlyness and humor. There were three or four more photographers who besieged him the whole evening and there were a lot of guests with their point-an-shoot-cameras too but Lebeck was not disturbed in his serenity. I am very thankful for this.

Der weltbekannte deutsche Fotograf Robert Lebeck eröffnete am 18.03.2011 seine Ausstellung in der Lumas-Galerie in Düsseldorf. Hier steht er inmitten seines Auditoriums bei einem Interview.. / .The world-renowned german photographer Robert Lebeck openend his exibition in the Lumas Gallery in Düsseldorf on 2011-03-18. Here he stands amidst his audience while interviewed. (Jens Stachowitz)

Der weltbekannte deutsche Fotograf Robert Lebeck eröffnete am 18.03.2011 seine Ausstellung in der Lumas-Galerie in Düsseldorf. Hier steht er inmitten seines Auditoriums bei einem Interview.. / .The world-renowned german photographer Robert Lebeck openend his exibition in the Lumas Gallery in Düsseldorf on 2011-03-18. Here he stands amidst his audience while interviewed.

Der weltbekannte deutsche Fotograf Robert Lebeck eröffnete am 18.03.2011 seine Ausstellung in der Lumas-Galerie in Düsseldorf. Hier steht er lachend inmitten seines Auditoriums bei einem Interview... / The world-renowned german photographer Robert Lebeck openend his exibition in the Lumas Gallery in Düsseldorf on 2011-03-18. Here he stands laughing amidst his audience while interviewed. (Jens Stachowitz)

Der weltbekannte deutsche Fotograf Robert Lebeck eröffnete am 18.03.2011 seine Ausstellung in der Lumas-Galerie in Düsseldorf. Hier steht er lachend inmitten seines Auditoriums bei einem Interview… / The world-renowned german photographer Robert Lebeck openend his exibition in the Lumas Gallery in Düsseldorf on 2011-03-18. Here he stands laughing amidst his audience while interviewed.

Der weltbekannte deutsche Fotograf Robert Lebeck eröffnete am 18.03.2011 seine Ausstellung in der Lumas-Galerie in Düsseldorf. Ein Gast (Andreas Ehrhard) überreicht ihm den Bildband Photography Unplugged von Harald Mante als Geschenk für seinen drei Tage später bevorstehenden Geburtstag.. / .The world-renowned german photographer Robert Lebeck openend his exibition in the Lumas Gallery in Düsseldorf on 2011-03-18. A guest  (Andreas Ehrhard) consigns Lebeck the photobook Photography Unplugged by Harald Mante in anticipation of Lebecks birthday three days later. (Jens Stachowitz)

Der weltbekannte deutsche Fotograf Robert Lebeck eröffnete am 18.03.2011 seine Ausstellung in der Lumas-Galerie in Düsseldorf. Ein Gast (Andreas Ehrhard) überreicht ihm den Bildband Photography Unplugged von Harald Mante als Geschenk für seinen drei Tage später bevorstehenden Geburtstag.. / .The world-renowned german photographer Robert Lebeck openend his exibition in the Lumas Gallery in Düsseldorf on 2011-03-18. A guest (Andreas Ehrhard) consigns Lebeck the photobook Photography Unplugged by Harald Mante in anticipation of Lebecks birthday three days later.

Der weltbekannte deutsche Fotograf Robert Lebeck eröffnete am 18.03.2011 seine Ausstellung in der Lumas-Galerie in Düsseldorf. Das Foto zeigt ihn als Silhouette reflektiert in seinem eigenen Bild und die ihn umgebenden Menschen beim Signieren seiner Bilder und Bücher.  / The world-renowned german photographer Robert Lebeck openend his exibition in the Lumas Gallery in Düsseldorf on 2011-03-18. This Photograph does show Lebeck as a Silhouette reflected in his own picture and the people surrounding him when signing his books and photographs. (Jens Stachowitz)

Der weltbekannte deutsche Fotograf Robert Lebeck eröffnete am 18.03.2011 seine Ausstellung in der Lumas-Galerie in Düsseldorf. Das Foto zeigt ihn als Silhouette reflektiert in seinem eigenen Bild und die ihn umgebenden Menschen beim Signieren seiner Bilder und Bücher. / The world-renowned german photographer Robert Lebeck openend his exibition in the Lumas Gallery in Düsseldorf on 2011-03-18. This Photograph does show Lebeck as a Silhouette reflected in his own picture and the people surrounding him when signing his books and photographs.

to be reflective leads to a never ending process

Cover of The Vision Driven Photographer - eBook by David DuChemin

This post is inspired by the eBook The Vision-Driven Photographer by David duChemin. This post is also inspired by a documentation about the monk Martin Luther and his influence on the Germans that was broadcasted in the german televison two years ago. What is the correlation of both? – I will give it a try to formulate what holds David and Martin together in my mind.

Martin Luther could not be quiet to circumstances the clerus was responsible for. He was fought and he put his life on the line to tell the world that in the relationship between God and one single person no institution ever should or could play a role. Luther wanted the mind to be free. He wanted people to be good informed and to judge autonomic. This dates back for nearly 500 years now and we still are struggling to build, sustain und evolve democracy.

Now, what to do when you – thanks to Luther and a lot of others – are free from constraint? What to do when you are and feel responsible and you do not like to be a part of an unaccountable mass? What to do when you are an individuum willing to be a emancipated person and a part of a human collective? You should perceive, sence, think about, digg deeper, …, judge, plan, act and be reflective.

David duChemin is a photographer and a teacher for photographers and he reminds us in his books to intentionally create photographs that are expressing in the clearest way what we want to say. This expression – and this is my thought – is a necessity when we want to be an emancipated person and want to shape our life and our society. David duChemin reminds us that writers, painters, musicians … express their feelings and thoughts with other languages and other tools but the process is the same. Like photographers – and let me add – all other emancipated persons – they have to figure out how they percieve the world they live in, they have to figure out what they want to tell the other individuums they want to reach and have to figure out how to successfully communicate.

David duChemins topic is personal and photographic vision: “We all have vision, the question is: are we aware of it? Personal Vision is how we see life whether or not our eyes are open. It grows, it changes, it flip flops depending on where life takes us and that makes it the challenge it is. You think you understand it, catch more than a fleeting glimpse, and maybe you do for a while, but one day you wake up and it’s changed for some reason and you have to rediscover it all over again” (p3). “It’s an endless journey” (p23, David duChemin: The Vision-Driven Photographer).

If you do want to create rich in content photographs, poems, songs … I think it´s worth to have a look into the eBook The Vision-Driven Photographer.

If you use the promotional code DRIVEN4 when you checkout, you can have the PDF version of The Vision Driven Photographer for only $4 OR use the code DRIVEN20 to get 20% off when you buy 5 or more PDF ebooks from the Craft & Vision collection. These codes expire at 11:59pm PST November 28th, 2010.

Gerd Lieder is chasing reflections

A patchwork of Gerd Lieder´s work

patchwork by Gerd Lieder

My eyes were immediately cought by the reflections Gerd Lieder has chased and painted. I saw a few of his paintings – those from Dubay and those about Gehry´s architecture – in the art galery art-isotope in Dortmund, Germany. The exibition started on Sunday, 19th Sept. 2010 and will last till 17th Oct. 2010.

For me there is a strong parallel to Eli Reinholdtsen, my photographer-friend in Oslo whose work I have mentioned in Eli Reinholdtsen is chasing reflections. In this two paintings by Gerd Lieder there are the strongest parallels

Painting of Fifth Avenue by Gerd Lieder

Fifth Avenue by Gerd Lieder

Bäume 2 Trees 2 150 x 110 cm Öl/Leinwand 2004

Trees 2 by Gerd Lieder

Gerd Lieder is working with glass, water, mirror and foil and he uses a camera to chase the reflections he wants to paint with oil at canvas. Yes, you see paintings. His body of work is very impressive and his technique to manufacture photorealistic paintings is on a master level. Gerd Lieder is playing with the viewers understanding of reality, like Eli does in a similar way. Eli is explaining her approach in her eBook you can find here. What is shown? Has it really been so? Did Gerd Lieder change something while painting?

See this article by Tom Querengaesser to get some insights and see Gerd Lieder´s website for more impressions on his work.

Eli Reinholdtsen is chasing reflections

spray-painting © by Eli Reinholdtsen

Today and want to introduce Eli Reinholdtsen a photographer-friend of mine living in Oslo, Norway. I met Eli in Genua when she was arriving for the second week of the Italy Within The Frame Workshop in April 2010 and I was leaving after the first week. Eli I first met virtually on facebook as a result of Jeffrey Capman´s building up a workshop community. Eli posted this photograph (above) to introduce herself into the community and I was very impressed. I like this photograph very much! Eli has been an avid snapper ever since she was given her first camera at the age of eleven but discovered the infinite potential of creative camera modes about two years ago. Like to be seen she did the discovery very fast.

Eli and I – and other participants too – had a glass of wine and I had a very good conversation with Eli that avoce my wish to stay in touch with her. Later on within her workshop week she put a self-published book called “Folk” into David duChemin´s hands at the breakfast table and as a result of this introduction this ebook (beneath) was released by Craft And Vision on July 28th.

Eli-Reinholdtsen-Chasing-Reflections-Cover

Very well done Eli! I am very impressed by the photographs in this ebook. The photographs have multiple layers inside combining at least two images in one, leaving question marks and stimulate curiosity. Its a joy to see the full size photographs on the first half of the book and the smaller sized versions with comments on the back half give very good explanation and education. Eli loves what she is photographing! She loves street photography, she loves reflections and is drawn to when people are wrapped up in their own thoughts. Her photographs make me smile but the photographs are the result of hard working: Comming back to see whether the light is better, waiting for an hour ore more to catch the moment, trying to create a better photograph in the same setting but another moment, not giving up when she could not capture the image she wanted to create. Chasing Reflections – a wonderful art piece and photography education at the same time! Highly recommended!

Buy at the webshop of Craft And Vision

For the first four days only you can enter the promotional code REFLECT4 to save 1 $ (will expire at 11.59pm PST August 1, 2010).